Saturday, February 15, 2020
Financial measures Essay Example | Topics and Well Written Essays - 500 words
Financial measures - Essay Example Financial measures are the traditional ones for evaluating operating performance, benchmarking competitors, and comparing industry results. To determine whether a company is profitable, profitability ratios like return on equity, return on assets and net profit margin may be used. Other companies or competitors normally use the same ratios also so that comparison and benchmarking are possible among companies (Meigs, Meigs & Meigs, 1995). However, it does not mean that non-financial measures are not useful since normally they are the underlying explanations of the difference in performance measures. To illustrate in the case of two similar companies in the industry, it is possible that one has more revenues or higher profitability than the other does. What could explain the difference between the two companies may be in the more loyal and active sales force of one company over the other. Upon investigation, it can be found that personal objectives of the workforce or people of the mor e profitable company are tied with the corporate financial objectives. The human resource contribution, which is basically non-financial, is normally not emphasized in the financial statements but they could constitute the competitive advantage on one company over the other company. After knowing that a company has more loyal and hard working sales force, the same company could sustain profitability or further the advantage and that makes the non-financial measure very useful. Of course they are other non-financial measures such as better customer service, better attendance of employees in meeting, zero absences in important activities, timely submissions of reports by concerned employees or departments (Streetdirectory, 2010). The advantage and disadvantage of each measure can be drawn from the example given. Financial measures are readily measurable and are closer to measuring attainment of measurable financial objectives. It is easier to
Sunday, February 2, 2020
PUMPING IRON IN Saudi Arabia Essay Example | Topics and Well Written Essays - 500 words
PUMPING IRON IN Saudi Arabia - Essay Example This encourages the participants. Another purpose the author wanted to issue in this case is about gender. The gymnasium is occupied by men only. This raises a major concern about the health fitness of the women. All the participants in the gymnasium were men. The author has also raised religious issues involved. The author has clearly presented the picture of the Gym in question. He begins by describing the location of the gym. The author has also provided information on the charges that one needs to pay in order to become a member. Then, the author proceeds to describe the facilities that are found in the Gym. The Gym is packed with high quality exercise machine (Dyatt 2009). However, the author emphasizes on the fact that the equipments are old and the surfaces are peeling off though clean. The author has also revealed the uniqueness of the 10th Street from the fact that it observes the religious aspects carefully. For instance, the rights are put off and the door closed during the prayer of Saleh (Dyatt 2009). The lights are put off and the door locked automatically even if workout is in the middle. The author has also revealed that failure to observe these rules can lead to loss of license. When the lights are off, the carpets are out between the exercises machines after which the faithful faces Mecca in rows for prayer (Dyatt 2009). Meanwhile, other people would continue to work out quietly besides them. Both groups are expected to proceed harmoniously. The author have also emphasized that working out in the darkness is really interesting. It motivates people as it exaggerates the appearance of the people. The strong looks stronger in the darkness (Dyatt 2009). The author has also introduced the gym manager who is also a weight lifter. He is a friendly man who is interested in every attendant. He is determined to help the new weight lifters. The author has also revealed
Saturday, January 25, 2020
The Body :: essays research papers
The Body à à à à à In Castel Rock Maine, There were four boys Vern Tesio, Gordie La Chance, Chris , and Teddy Duchamp. à à à à à They have a tree house in a abandon parking lot where they play cards and hang out. à à à à à Vern comes and tells the gang that when he was under his portch looking for his penneys that he had burried when he was eight he over heard his brother talking to his friend charlie hogan about the child that was missing but they said that they did it and they said where the body was. à à à à à Gordie's brrother died in car crash. à à à à à Gordies parents never paid any attention to Gordie. There was a story that started in the book,and I didn't get it. It was a nudity scene, like a story but just started in the middle of the book. à à à à à So they each told there mom's and dad's that they were camping out in the field when they where realy going to find the dead child. à à à à à Chris brought a gun that he stole off of his dads bureau. He let Gordie see it and he told Gordie that it wasn't loaded. So Gordie pulled the trigger. And KA-BLAM. The gun was loaded and he shot the trashcans behind the diner. The waitress came out but she thought it was fircrackers. They started out on there mission walking along the train tracks. à à à à à Teddy Duchamp played chicken with the train pretending he was a paratrooper, but Chris pushed him out off the way in the nick of time. They get into a fight but settle it. à à à à à They go into the town dump to get a drink of water. It is restrickted to go in there when the dump isn't open. They fliped to see who goes to the store to get the food. when they fliped they got a goocher which vern says is bad luck, so they flip again ang Gordie looses. à à à à à Gordie goes to the store to get the food and he gets in a fight with the clerk about being gipped on the money because when Gordie add it up it came out to be less then what the clerk said. à à à à à When Gordie came back to the dump he couldn't find the guys and he noticed that the owner of the junkyard was here because his car was here. So he tried to make a run to the opposite side of the junk yard. But the man noticed him a sicked his dog Chopper after him. He made it to the other side to find his friends standing there telling him to come on.
Thursday, January 16, 2020
My interersting travelling Essay
The advantages of group learning As students are trained in the form of credits you probably already know and familiar with concepts such as group exercises , group discussions , group work â⬠¦ But not with any student or group of students who also exploit the positive approach of this study . The cause of this situation comes from the students who , or sometimes from the other objective reasons . The advantage of this method of learning is almost always students aware and undeniable . Learning environment group will actively promote the learning of individuals , creating cohesion in a community . While working in groups , the contradictions that arise from student to resolve â⬠conflicts â⬠. From there , they will have the ability to resolve conflicts , to convince others of the situation may be encountered in later life . The spirit of learning and the ability to listen to others and will be what students will learn . These skills are very important when you step out of the work environment and this would be a good premise to know how to work in a team environment . Work , group discussions, not merely at the request of teachers set for students , but more importantly it is the study of student research . Study groups will gather opinions of individual creativity , from which the product will be rich academic creativity . The best method will be selected from the comments yet. Learning products will now also be the result of all the members . School groups are not effective , why ? The positive aspects of group learning methods is undeniable . But no group of students also achieved the highest results with this method of learning , even sometimes some students feel it brings a lot of forms and achieve less effective than individual work people . So the reason why ? First, a number of students considered that the group work exercise ofà collective psychology so often â⬠not my job â⬠, everyone except himself . As a result, â⬠no one common father cry .â⬠Many think that school groups will be very comfortable as it is a form of learning by playing , learning to speak , â⬠thrown across his back turned â⬠another thing about this table â⬠¦ It ââ¬Ës so wrong . Since you are self- wasting his time in vain . Second, learning requires self-discipline team of each team member . The work is similar to the operation of a production line . Lines will not work , or work less effective if a part does not work or does not work properly function . If a team member does not work as assigned will result in the group will work stalled . The third reason , which is the division of labor is not clear . Sometimes a team member to take on too much work , while members have nothing to do . The work of the group is often put too much for the leader , sometimes even product is the result of individual rather than the leader of the group of products . Conversely , sometimes the leader â⬠hug â⬠too much work for her to lead the others â⬠self-love â⬠and the result is uncooperative . How to learn good team ? There are many causes of this learning method is not effective . Both objective reasons and from the school itself . So how to approach learning the most effective team ? First of all assigned work is reasonable . This depends on the role and ability of the leader to direct . When the work is clearly divided for each member they will be aware of his role , is responsible for completing the work . It is especially important to say to the self- consciousness of individuals in groups , students should find themselves responsible for a part of it , and the finished product has a contribution herself . A group is only effective when the members have self-consciousness : self-awareness of time , homework , self-awareness â⬠speech â⬠â⬠¦ Only when each student developà highly independent spirit , think about issues that need to provide learning research group that studies the group , the new group is promoting effects . And finally , the spirit of learning , listening hard , hard for that team will be the key to a successful exercise group . School performance group only when it is done on the basis of preparation of the content and methods of all members of the organization . With a networked computer , you can voice chat to discuss , study groups with friends everywhere just to save time , to be effective ! Please prepare yourself for a serious academic attitude and an effective group ! I hope to share on your part to help the students gain interest in learning groups , especially the effectiveness of learning with this method !
Wednesday, January 8, 2020
Analysis of the Poems Diving into the Wreck and Daddy Free Essay Example, 2000 words
Two poems that reflect feminism will be analyzed in the paper and those are entitled Daddy and Diving into the Wreck. The poem Daddy was written by Sylvia Plath while Diving into the Wreck was made by Adrienne Rich. Both female poets had the concept of feminism in their works though they differ in the way they tackle the issue. Sylvia Plath tackled feminism through her controversial life that made her be considered as the most controversial modern female poet. She received massive criticisms for her relationship, life and works. Her works created new perspectives on literature as she combined the feminist issues that linked formation and disorganization. Her works influenced the people regarding the masks and feelings that women project in the 1960s. Her works reflected her personal insights and experiences that showed how women like her dealt with her life. Many wandered what would have happened if she had not died early on her career as she made unique literature like the poe ms filled with anger as she directed her emotions toward her separation with her husband and fellow poet, Ted Hughes (Mishra 202). We will write a custom essay sample on Analysis of the Poems Diving into the Wreck and Daddy or any topic specifically for you Only $17.96 $11.86/page Daddy was the poem rich in anger as the author Plath released her emotions against her experiences with her father who was Otto Plath, an entomologist. In the poem, she killed her father in her psyche and tried to do so by making the first attempt at suicide. It seemed that she had inner guilt for the death of her father that she desired to fulfill by contemplating suicide.
Tuesday, December 31, 2019
Deep Analysis Of Star Wars Movies - Free Essay Example
Sample details Pages: 13 Words: 3876 Downloads: 2 Date added: 2019/08/02 Category Cinematographic Art Essay Level High school Topics: Star Wars Essay Did you like this example? PART I: Musical Style and Development in the Star Wars Universe John Williams, and the Musical Qualities of Star Wars Donââ¬â¢t waste time! Our writers will create an original "Deep Analysis Of Star Wars Movies" essay for you Create order John Williams has been attributed for the revival of the classical Hollywood system of film composition, based on his late-Romantic compositions for large orchestra in the Star Wars film franchise. Traditionally, composers used early science fiction films to experiment with unfamiliar sounds and modern forms in order to match the genres futuristic style. The Day the Earth Stood Still (1951) utilizes an for electronic organ, amplified bass, cello, and violin, celesta, two theremin, and an assortment of brass. The soundtrack of 2001: A Space Odyssey (1968) is notorious for its inclusion of Romantic composers, such as Richard Strauss, and Johann Strauss II, however it also includes works by contemporary composers Aram Khachaturian and Gyorgy Ligeti. While there are many factors that contribute to a movies success, and the music of the aforementioned films if of course finely done, Star Wars is empirically the most popular science fiction film franchise of all time. à A films music must reflect the mood of the visual scene it accompanies. While creating his original drafts for the 1977 Star Wars movie, George Lucas included temporary tracks of Gustav Holst, Antonin Dvorak, and William Walton, wanting an exciting background for his film about interplanetary wars and space cowboys. à At the encouragement of Steven Spielberg, who collaborated with Williams for Jaws in 1975, Lucas hired Williams, requesting that he use the familiar Romantic styles of these composers. Because of this deliberate connection, many similarities exist between famous melodies and Williams own melodies for the Star Wars universe. An obvious example comes with the films opening fanfare, which bears similarities to Siegfrieds theme from Richard Wagners Der Ring cycle. The hero Siegfried, who slays the dragon Fafner, plays the heroic theme on his horn to lure the dragon out of his cave to confront him. The same perfect fifth which opens up Siegfrieds theme opens the first full measure of the main Star Wars theme, and both themes include descending 4-3-2 patterns in the key of Bb in the following measure. Following this resolution, the Star Wars theme leaps to the Bb, before falling to the F, as Siegfrieds theme does. Spielberg recommended John Williams to Lucas for his ability to improvise and compose to suit any style, and it is clear that Williams has figured out the musical formula which defines heroic. In 1978, one year after the release of Star Wars, Williams wrote the score for Superman. The resemblance between the two themes is almost uncanny. The triplet figures jumping a fourth, then a fifth provide an aural image of a heroic leap up a perfect octave. The descending passages of both themes always resolves on a higher note, which provides a heroic gesture. When creating a theme, Williams alters aspects of orchestration and style, expanding and contracting counterpoint, and swelling dynamics to fit the desired mood. The shorter the theme, the easier it is for the audience to recognize. Heroic sections are typically forte, and feature grand intervallic leaps by the brass with strong, pointed accents, and typically end in unison to emphasize camaraderie. Languid, compassionate sections feature swelling strings, playing long, Romantic, and legato passages in unison. Williams victorious and exciting sections typically feature the entire orchestra, which adds extra density to the musical score, enriching the harmonies and expanding the range.à à à à à à à In the case of the Star Wars theme, having a large range of a perfect 11th (considering most melodies in Star Wars span about an octave or less) provides an expansive sound befitting a space odyssey.Further, triplets are often used in heroic music. The triplet anacrusis opens the theme, and the second, third, and fourth measures all employ triplets on beat 1, reinforcing the films adventurous quality. The triplets in measures two and three have a strong tonal inclination to resolve down to the low Bb, but instead resolve up the octave. This tonal defiance deceives the ear, leaping up to further the heroic quality of the melody. As the Star Wars franchise ages and entertainment conglomerate Disney inevitably grows hungry for the wary consumers hard-earned money, Star Wars films will be forced to go on without the pen and baton of John Williams. As of now, the only Star Wars films to not directly employ Williams are Rogue One, and Solo, though both themes are directly influenced by Williams iconic fanfare. Star Wars television series Clone Wars, and Rebels are currently under the musical direction of Kevin Kiner. Solo: A Star Wars Story, featuring music composed by English film composer John Powell, is set to release in late May 2018, and appears to use the original Star Wars fanfare in full though up a third in the key of D major. Michael Giacchino however, chose to compose the music for the 2016 release of Rogue One: A Star Wars Story in a style which quotes the original themes, but gives them new and unique endings. Though these films and television shows have different composers, the same compositional a nd orchestral techniques are applied to maintain the classic Star Wars sound. The main theme from Rogue One leaps up the classic heroic fifth, however ascends C-D-Eb, rather than falling stepwise Eb-D-C, before leaping up a minor sixth to the tonic. This interpretation of the main theme is perfectly fitting to the content of the film; the heroic opening followed by the final despairing leap to the tonic is a beautiful analogy for the plucky band of Rebels who manage to successfully steal the Death Star plans from the Imperial base on Scarif. The Issue With the Star Wars Soundtrack While the music of each Star Wars film is powerful and poignant, John Williams scores each new installment individually. Due to the unorthodox nature of the franchises releases (456,123,789) the musical structure of the saga has weaknesses as a whole. To mention a few inconsistencies, Williams came up with Darth Vaders theme, the Imperial March, when composing for Empire Strikes Back evolving it out of the Imperial Theme he created for Star Wars. However, he uses the slow development Imperial March in the prequel trilogy to show the power of the dark side growing in the young Anakin Skywalker. So when viewing the trilogy in order of narrative, after seeing the development of Darth Vader from Anakin Skywalker, Star Wars/A New Hope suddenly lacks the iconic theme. Further, John Williams created the Emperors Theme to accompany the evil Sith Lord in Return of the Jedi, however later uses the theme in the prequel trilogy to underscore the scheming of Chancellor Palpatine into the maniacal and powerful Darth Sidious. While most savvy moviegoers knew this change was bound to happen in the third prequel movie, this ultimately ruins Revenge of the Siths cinematic twist where the Chancellor of the Galactic Senate seizes control of the Republic, and lays waste to the Jedi Order. à As another example, the love ballad written for Anakin and Padme in Attack of the Clones, Across the Stars, was conceived for the second film in the prequel trilogy, after the two had already met and established a friendship in the previous film. While an argument can be made that the two truly did not fall into a love worthy of its own theme until the second film, Williams has proven with his theme for Anakin that he is more than capable of writing a compelling development for a theme, which could have been prepared for in The Phantom Menace. Finally, and possibly most egregiously, Williams introduces the Sibling Theme as a theme for Luke and Leia far too late in the franchise, to the point where he may as well have ultimately excluded it. While George Lucas would like the world to think he has had a master-plot for the Star Wars saga all along, there are some major incongruences. Most notably Lukes awkward realization in Return of the Jedi that Leia is in fact his twin sister, despite her kissing him for luck as they flee Imperial forces on the Death Star in Star Wars, and Leias petty tongue-punching of Lukes gaping maw in order to make Han jealous in Empire Strikes Back. The introduction of this theme in the last film of the saga is akin to slapping a giant Band-Aid on the franchise to cover the festering, incest-scented wound beneath. If these inconsistencies arise from viewing the saga in the narrative order, it may be that the real-world release order, despite the musical development issues, may be the best order to view Star Wars. It may be possible however, that a better way to view the saga from a musical point of view exists through the incorporation and a blending of trilogies. PART II: Reoccurrence of Thematic Material in the Star Wars Universe The Original Trilogy (1977-1983) à à à à à à à John Williams use of the leitmotif stems from his appreciation of Wagner, especially Der Ring. Like Wagner, Williams uses hundreds of recognizable themes across the Star Wars saga, but how often do these themes come up in each installment, and is there any correlation between the plot and the thematic material? While some themes are only present in one film, most themes are used throughout the trilogy. The two main themes from this trilogy are used in every episode of the saga, Binary Sunset (The Force Theme), and STAR WARS (Main Theme). Common themes that occur in each trilogy, but not each film include the Imperial March (Darth Vaders Theme), the Rebel Fanfare, Yodas theme, and Leias theme. Star Wars (1977) Empire Strikes Back (1980) Return of the Jedi (1983) Star Wars does a fantastic job of establishing the prominent themes of the saga in the first film, and creates a vast soundscape which blends the Imperial Motif, Rebel Fanfare, and the Force Theme to indicate the tide of the battle for the climactic Death Star trench run. The confrontation between Darth Vader and Obi-Wan Kenobi on the first Death Star is accented by the Force Theme, however a unique soundtrack was made to accompany the TIE Fighter Attack on the Millennium Falcon as it escapes from the Death Star. In The Empire Strikes Back, the main battles on the ice planet Hoth, and the harrowing Asteroid Field escape are fought alongside some of the sagas most iconic musical tracks. The best musical choice Williams makes for the film is the use of silence in the climactic showdown between Darth Vader and the young Luke Skywalker on the cloud city of Bespin. The silence focuses the listener on the slightest sounds, and emphasizes the fear and isolation of Luke, while the menacing, ragged breaths of Darth Vader emphasize the gravity of the battle, along with the iconic sound of their clashing lightsabers. It is not until Vader gains the upper hand (!) that the Imperial March roars in the background. Return of the Jedi concludes the original trilogy with several new works, including the exciting assault on Jabba the Hutts sail barge, as well as a powerful medley which underscores the alternating climactic battles of the film. Return of the Jedi is the first Star Wars film to incorporate a choir with the orchestra. The Battle of Endor, featuring the lovable but deadly Ewoks, uses a combination of militaristic brass and high woodwinds to evoke a sense of whimsey and danger. On the newly constructed Death Star above Endor, Luke Skywalker prepares to face Darth Vader again. As with their confrontation on Bespin, the battle commences in silence, however Luke senses the light side of the Force returning in Vader, and refuses to fight. It is not until Vader threatens Leia that Luke draws his lightsaber and the choir and orchestra swell with haunting, ominous chords. The most frequent theme which plays in the Original Trilogy is the Star Wars theme, closely followed by The Force theme and, despite only appearing in two of the films, the Imperial March. The Prequel Trilogy (1999 2005) à à à à à à à The Phantom Menace was released on May 19, 1999, nearly 16 years after Return of the Jedi. While most fans were excited to learn more about Lucas Star Wars universe, The Phantom Menace received poor initial reactions for a variety of reasons, including the over-abundance of computer generated images, clunky dialogue, and confusing political sub-plots. Despite the low critical-reception of the film, critics and moviegoers alike praised John Williams score. For the Prequel Trilogy, Williams employed the talents of both the London Symphony Orchestra, as well as the talents of the Los Angeles Master Chorale, providing a rich, sanctimonious element to the film. The first two films of this trilogy have the lowest average of thematic reoccurrence in the saga, as well as the lowest number of original scores, however Revenge of the Sith more than doubles the amount of thematic use for the Prequel Trilogy, mostly with its use of The Force Theme. The surge in themes is most likely due to the uncertain future of the Star Wars universe at the time. With the end of a new trilogy in sight and little acclaim for the 1999 and 2001 films, it is likely that Lucas and Williams chose to increase the frequency of classic melodies to increase the emotional potency of the final chapter of this trilogy. The Phantom Menace (1999) Attack of the Clones (2002) Revenge of the Sith (2005) An interesting aspect of the Prequel Trilogy is the repetition of the final battle theme of The Phantom Menace Duel of the Fates. While themes commonly make their way into the climactic battles in the saga, this is the first instance where the opposite occurs. Duel of the Fates, arguably the most redeeming aspect of Episode I, is heard again briefly as Anakin speeds to the Tusken Raider camp to rescue his tortured mother in Attack of the Clones. It returns again as the theme for the final confrontation between Darth Sidious and Yoda on Coruscant in Revenge of the Sith. The most frequent theme in the Prequel Trilogy is by far The Force Theme, mostly due to the heavy influx of iterations in Revenge of the Sith, however like the Original Trilogy, the STAR WARS theme and Imperial March are among the most repeated themes, as well as prequel original, Across the Stars. The Sequel Trilogy (2015-2019) In 2012, Disney purchased Lucasfilm, as well as the rights to produce Star Wars movies for the foreseeable future. Understandably, many Star Wars fans were weary of this deal, having been slighted by the Prequel Trilogy just ten years earlier. Now under the direction of J.J. Abrams and Rian Johnson, the Sequel Trilogy has reestablished many of the characteristics that endeared audiences to the saga in the first place. For example, the Sequel Trilogy is once again placing a greater emphasis on the use of musical themes, especially the Main Theme and The Force Theme. This establishes a context similar to what George Lucas developed for the original Star Wars, allowing the themes and characters to develop simultaneously. John Williams is currently eighty-six years old, and while he still conducts the London Symphony Orchestra and Los Angeles Master Chorale for recordings, he will not be participating in any future Star Wars projects. The Force Awakens (2015) The Last Jedi (2017) A fascinating aspect of the Sequel Trilogy is how closely it mimics the musical tendencies of the Original Trilogy. In both trilogies, the galaxy is under the oppressive rule of a tyrannical military force, which a small but brave group of renegades must rise up to overthrow. The musical themes which represent both sides of the war are reasonably balanced in both of these trilogies, representing the close conflict between the light side and dark side. This becomes a major theme in The Last Jedi, as the new proponents of the light and dark side, Rey and Kylo, develop their connections with the force around their respective moral compasses. The evenness of conflict is mirrored in the evenness of the musical score. Adversely, the Jedi Order fell from power due to their moral arrogance, and pure denial of the growing presence of the dark side. In the Prequel Trilogy, the Force Theme is far-and-away the most common motif, far out-balancing the combined thematic reoccurrence of the dark si de. By reviving the classic Original Trilogy score, John Williams has retroactively improved the very storyline of the Prequel Trilogy, showing that while the force is the energy of all life, neither the light side nor the dark can endure without balance. PART III: A Brief History and Analysis of Diegetic Music in the Star Wars Universe Diegetic Music As on Earth, musicians of the civilized galaxy typically find employment performing chamber music in pubs, clubs, as well as working in large-scale musical works. The Galaxies Opera House on the Republic capital of Coruscant is a notoriously grand theatre where politicians and interplanetary dignitaries could discuss diplomatic and consular matters while watching high entertainment. In Revenge of the Sith, philanthropist and Supreme Chancellor, Sheev Palpatine is a well known patron of the theatre, and a common sight at the ethereal operatic performances of the Mon Calamari, such as the famous Squid Lake. Given the lack of access most citizens have to higher intergalactic art such as the Opera House, jizz is the most popular genre of music in the galaxy. Jizz is an upbeat, swinging genre which typically features winds, a rhythm section, and some degree of improvisation. It truly penetrates the soul, impregnating the listener with a desire to dance. For the low to middle-class, the most popular form of musical entertainment comes from chamber music provided by local bands at the nearest tavern or cantina. The most popular of musical groups are typically able to support themselves through frequent gigging and savvy management, however many ensembles prefer to work under the contract of a patron. Jabba Desilijic Tiure (more commonly known as Jabba the Hutt) was a well known patron of music on his home world of Tatooine, employing bands to perform at local cantinas, as well as private performances in his palace and aboard his grand sail barge. The music was consistently of a high quality, as musicians that displeased Jabba were fed to various desert monsters (most typically the Sarlacc), providing musicians with a hearty incentive to improve their craft. Following his assassination at the hands of Leia Organa, the life and legends of Jabba the Gangster became the subject of a number of musical compositions. The hit song, Jabba Flow by the Infrablue Zedbeddy Coggins Band (popular ensemble that could be seen at Maz Kanatas castle on Takodana in The Force Awakens) derives its lyrics from the last words of a scoundrel who was caught lying to Jabba. Evar Orbus and His Galactic Jizz-Wailers were founded roughly twenty years before the battle of Yavin in Star Wars/A New Hope. This ensemble features Evar Orbus and Sy Snootles vocal talents combined with Max Rebo on the circular Nalargon (or Red Ball Keyboard), and Droopy McCool performing on the Chidinkalu, a reeded aerophone used in the rhythm section of the ensemble. The Galactic Jizz-Wailers proved they had great potential as a musical ensemble, however the ambition of Orbus would prove to be their downfall. Orbus accepted a gig for the ensemble to perform at the Mos Eisely cantina where Figrin Dan and the Modal Nodes were already residing as artists-in-residence. Figrin Dan took great offense to this intrusion, and attempted to shoot the entire ensemble dead before they could begin their first set. Evar Orbus was the only member of the Galactic Jizz-Wailers to perish, however the surviving members quickly surrendered the stage to the Bith ensemble. Following this setback, Snoot les, McCool and Rebo reorganized into the Max Rebo Band, which can be seen entertaining Jabba in his palace on Tatooine in Return of the Jedi. Figrin Dan and the Modal Nodes are the popular Bith musical ensemble based out of the Chalmuns Spaceport Cantina on the outer-rim desert world of Tatooine. While the members of the band varied from year to year, the main members performed mostly on reeded aerophone instruments (ironic, as Bith only have one lung), with a small rhythm section. The wind instruments of the ensemble included the dorenian beshniquel (colloquially known as the Fizzz), bandfill, fanfar, double jocimer, and kloo horn, played by Doikk Nats, Nalan Cheel, Tedn Dahai, Ickabel Gont, and Figrin Dan respectively. The rhythm section consisted of Sunil Eide on the drums, and Tech Mor on the ommni box. (These instruments sound strangely similar to the soprano saxophone, clarinet, trumpet, steel drum, piano, and various percussions) The Bith are one of the galaxies oldest civilizations, and hold a reputation as one of the most intelligent. A craniopod species, the Bith have evolved to possess highly developed senses. T heir eyes are able to see microscopic details at great focus, they can sense many smells through the skin-flaps of their cheeks, and they are and are naturally engrained with a comprehensive understanding of tonal sound, akin to their understanding of color or smell. Further, the Bith do not sleep, but fall into a meditative trance that allows them to rest twice as fast as other species. Fiery Figrin Dan is a notoriously disagreeable bandleader, demanding perfection out of each show and punishing those who miss even a single note. Suffice to say, the musical productions of this species are amidst the highest of art in the galaxy, and the Modal Nodes have gone on to celebrate an interesting career all around the intergalactic performance circuit. Musical Analysis of Mad About Me, by Figrin Dan and the Modal Nodes Mad About Me (Cantina Song) is a popular tune which can be traced as far back as 3643 BBY (Before the Battle of Yavin), however it was popularized by the Modal Nodes in 0 BBY. A personal favorite of the group, Mad About Me was written by an unknown artist during a cold war between the Galactic Republic and the Sith Empire, shortly after the signing of the Treaty of Coruscant. The tune itself is rather nondescript, however the Modal Nodes rendition is notably lively, giving it a special bounce. Mad About Me soon became a popular tune around Tatooine, and the Modal Nodes contract with Jabba the Hutt provided them with plenty of performance opportunities. Of course, Jabba the Hutt is notoriously short with his constituents, and thus the Modal Nodes found themselves fleeing Tatooine shortly after the battle of Yavin, fearing they would become a meal for Jabbas infamous pet rancor. They were fortunate enough to both escape Tatooine, and produce a recording of Mad About Me, which would enjoy success in cantinas across Tatooine, and on the Interplanetary Imperial Broadcast. From an Earth music analysis standpoint, specifically the music of Western civilization, Mad About Me presents an interesting form and a harmonic structure along with an instantly recognizable melody. The piece contains nine distinct sections and is concluded by a recapitulation of the initial melody. The catchy nature of Mad About Me may stem from the overabundant use of the perfect authentic cadence in F major. Though the piece only runs approximately two minutes forty seconds, seven perfect authentic cadences are crammed into the piece, giving a human listener a satisfying release of dopamine roughly
Monday, December 23, 2019
Religion Is A Major Key For Conflict - 1711 Words
Even in its earliest stages, religion has been a major key in conflict. It has driven individuals, groups, and even entire nations apart. Many of the reasons for the disagreements, however, can differ greatly from one another. They can come from people of the same religion but with different views, it can be from a long history of hatred between two religions, it can originate through two countries that hate each other and then turns into a religion battle, and many other possibilities. Most of the results, though, are the same. Religion can strike fear in some, it can lead to distrust and miscommunication, and it can lead to assaults and killings of certain people. How Fear Can Lead to the Worst Fear can be one of the worst things to invoke in a population. Fear can cause the people to panic. When they begin to panic, their judgement is not as efficient, they do not think as thoroughly, and this ends in rushed decisions being made. These rushed decisions can lead them to their own grave and even guide others to their death as well. In ââ¬Å"World War Z,â⬠religion is the beginning cause of fear that sparks it all. China was where the first subject, or ââ¬Å"Patient Zeroâ⬠, was found. While the Dr. Jingshu was, at first, handing the house call well, as soon as the situation took a turn for the worst fear set in. ââ¬Å"At first the villagers tried to hold me back. They warned me not to touch him, that he was ââ¬Ëcursedââ¬â¢Ã¢â¬ (Jingshu 7). Jingshu had to force two of the largest men toShow MoreRelatedConflict Resolution Is A Key Tenet Of Most Of The World s Major Religions3564 Words à |à 15 PagesConflict resolut ion is a key tenet of most of the worldââ¬â¢s major religions. Each of the religions addresses the subject: whether directly, indirectly, or symbolically. Amongst the examples in many of the religious texts include the ending of wars, resolving oppression and the making of peace amongst many people. 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